Frances McCormack: Above and Below

Our term Paradise is derived from the old Persian word pairidaeza meaning, walled garden. My paintings are invented spaces or interior theaters that are essentially images of the process of growth or transformation within a contained space. I have sought out these spaces or walled gardens in Rome at the Villa d'Este and Villa Lante, at the Alhambra in Spain, the Topkai Palace in Istanbul, in Mexico at the houses of the architect Luis Barragan, or Santa Barbara at Ganna Walska's LotusLand. These places provide a container where the urgency and noise of everyday obligations fall away and the visitor has access to other dimensions of thought and feeling. My hope is that my paintings can function in a similar way. As John Cage put it, "to sober and quiet the mind".

Combining architectural elements and loosely interpreted botanical forms, the paintings hold a range of energies reflected through the natural world. Lush paint, the physicality of the execution and the history of decisions are obvious and unapologetically optical. I have always been more interested in seduction than instruction or critique. I am in pursuit of the marvelous.

McCormack was born in Boston and received her MFA from the University of California at Berkeley. She was the recipient of the first SFAI faculty residency at the American Academy in Rome, three Buck Foundation individual artists grants, a Djerassi residency and Willapa Bay Air residency. In 2012 the video she produced for the multi-media work, Artifacts, is a collaboration with the composer Kurt Rohde and writer Sue Moon which premiered at the San Francisco Conservatory of Music. She curated the exhibition Silence, Exile and Cunning for the Sonoma Valley Museum of Art in 2010. Her artist talk, Wonder and Limitation, can be viewed on youtube. McCormack is represented by the R.B. Stevenson Gallery in La Jolla CA and at Gilman Contemporary in Sun Valley, ID.