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Dogwood (White) No. 3
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Dogwood (White-Red Tips) No. 1
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Star Magnolia No. 5
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Star Magnolia No. 6
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Star Magnolia No. 8
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Dogwood No. 2
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Dark Magnolia No. 2
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Dark Magnolia No. 4
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Star Magnolia No. 2
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Wild Fennel No. 1
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Wild Fennel No. 2
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Wild Fennel No. 3
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Wild Fennel No. 4
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Acacia No. 1
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Acacia No. 3
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Acacia No. 6
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Seeking Shelter No. 6
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Songs of the Sky, Revisited No. 1
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Songs of the Sky, Revisited No. 13
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Songs of the Sky, Revisited No. 6
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Warm Waters No. 13
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Warm Waters No. 31
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Weeds No. 3
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Altered Water Lilies No. 7
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Altered Water Lilies No. 5
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Altered Water Lilies No. 1
By obscuring detail, only the strongest brush strokes emerge: the images become sketches with light, literally and figuratively. They tend to float between there and not there, to dissolve into abstraction and reconfigure themselves back into recognizable form. -Jeri Eisenberg
Jeri Eisenberg is a photographer who works primarily with non-traditional and alternative photo-based techniques. Her largescale, abstracted images of the treed landscape are captured with an oversized pinhole camera. Her best known and enduring series, A Sojourn in Seasons, consists of five chapters, four seasonal chapters in color and one in black and white. Pointing her lens on trees and foliage capturing them as they are not often depicted. Eisenberg represses or subverts traditional photography's emphasis on the representational qualities of the medium, and emphasizes instead the medium's expressive nature. The images are segmented and presented as translucent panels of diptychs, triptychs or quads, printed on Japanese Kozo paper and infused with encaustic. As the images fade in and out of recognizable form, they echo our ephemeral grasp on life. As Eisenberg has said, "It is comforting to know that despite the loss of definition, essential qualities endure."