Overview
My ongoing education about gender comparisons, inequality, and the ever shifting ground of feminist politics fuels my interest in this body of work. As I continue to push the “Double Bind” work forward, and continue to use the paper sewing patterns, I want to project a metaphorical weight within each painting’s implied narrative. - John Westmark

Painter John Westmark's female figures are composed of sewing patterns on canvas. Westmark obscures the visages of his subject, creating anonymous and powerful women. Drawing on his southern roots, folklore, and feminist philosophy and imagery Westmark's mixed media paintings embody strength and struggle. While acknowledging the usage of sewing patterns in what has historically been considered women's work, Westmark is able to create forms that are resolute warriors and agent[s] of revolt.

 

John Westmark’s work is exhibited widely and is held in numerous private and public collections including the Council on Foreign Relations, Washington DC; Weisman Art Foundation and Museum, Malibu, CA; Bemis Center for Contemporary Art, Omaha, NE; Gibbes Museum of Art, Charleston, SC; the Kansas City Art Institute and the U.S. State Department’s Art in Embassies program. John is the recipient of two Individual Florida Artist Grants, a Pollock-Krasner grant and The Gibbes Museum Factor Prize for Southern Art, Charleston, SC.

 

John received an MFA from the University of Florida and a BFA from the Kansas City Art Institute. John currently lives and works in Gainesville, Florida.

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